Megan Bogonovich’s ceramic sculptures are a vibrant homage to the joy of coexistence, where the natural world and human imagination intertwine in exuberant harmony. Her pieces, characterized by spikes, interlocked rings, and bold bulges, emerge as otherworldly botanicals that challenge our perception of the environment’s potential. Bogonovich, based in Norwich, Vermont, draws inspiration from nature’s resilience and adaptability, such as a dandelion sprouting from a crack in the pavement. Her sculptures embody this transformation and abundant growth, with surreal combinations of colors, shapes, and textures that envision what might flourish in the universe or in the aftermath of an environmental rebirth.
The process behind Bogonovich’s creations is as intricate as the sculptures themselves. Beginning with hand-built geometric and organic forms, she casts these in plaster to create molds for slip-casting, allowing for spontaneous and impulsive work with a material that typically demands planning. The result is a collection of matte white ‘ghost flowers’ that, once glazed, burst into life with whimsical, playful colors. This unpredictable glazing process mirrors nature itself, adding a final touch of whimsy to the sculptures.
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