Thomas de Franzoni’s “Echoes in Stone” series profoundly introduces his architectural photography. Captured in early 2025, this collection explores Berlin’s rich history through striking images of landmarks such as the Victory Column, alongside often-unnoticed areas like underpasses and vacant plazas. The absence of color in these photographs emphasizes shadow, texture, and a sense of quietude, drawing attention to details that might otherwise be overlooked. This approach reveals a different perspective on familiar and forgotten urban elements.
Beyond “Echoes in Stone”, Thomas’s broader photographic work consistently demonstrates a profound dedication to capturing mood, clarity, and the emotional impact of space. Recurring elements in his compositions include unadorned concrete structures, secluded stairwells, and desolate corridors. These subjects are meticulously framed and illuminated with a careful, almost sculptural consideration. His focus transcends mere documentation of structures, instead aiming to capture and convey their fundamental character and atmospheric qualities.
While initially recognized for his vibrant, color-rich compositions, Thomas has purposefully shifted towards a more restrained, monochromatic palette. This evolution has resulted in work that feels both firmly rooted in reality and deeply contemplative. Whether his lens is focused on Berlin or other locations, his photographs consistently foster a sense of calm reflection. They do not seek to explain; rather, they present an observation, allowing an individual to connect with the interplay of space, light, and the subtle emotional architecture embedded within these scenes.
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