José Lerma’s latest exhibition, Bayamonesque, presents an intriguing balance between minimalism and rich texture, redefining traditional portraiture. Using sparse yet deliberate brushstrokes, Lerma applies thick layers of acrylic paint on burlap, often using unconventional tools like brooms. These expressive marks create a dynamic interplay between abstraction and representation, capturing the essence of his subjects with a bold economy of detail. Rooted in his Puerto Rican heritage and inspired by classical painting traditions, his work challenges conventional techniques while embracing spontaneity and materiality.
Lerma’s fascination with historical background figures is evident in this body of work. Often overshadowed in grand compositions, these individuals become focal points in his textured portraits. The thick impasto amplifies their presence, emphasizing the physicality of the paint as much as the personality of each subject. His approach reshapes traditional perspectives, allowing the figures to emerge from the material itself rather than being strictly defined by precise outlines. This method highlights both the absence of detail and the profound impact of what remains.
The portraits in Bayamonesque transcend individual identity, offering a study in form and expression. By stripping facial features down to their essence, Lerma moves beyond representation into a realm where color, texture, and gesture evoke emotional depth. His work continues to push the boundaries of portraiture, demonstrating that even the sparsest marks can convey complexity and presence. Through this exploration, Bayamonesque stands as a compelling evolution of Lerma’s artistic vision, merging tradition with bold experimentation.
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in Bahia. 