Antony Gormley’s sculptures are not merely figures; they are profound explorations of human existence in relation to space. Gormley, a British sculptor known for his monumental works like the Angel of the North, has a unique way of using the human form to spark a dialogue with the world around us. Often cast from his own body, his sculptures stand tall in both galleries and public spaces, prompting us to contemplate their own place in the universe.
Gormley’s creative process is as intriguing as the final pieces themselves. He has been known to use unconventional materials like bread to create molds, and his sculptures often push the boundaries of scale. One of his most famous works, the Angel of the North, stands a staggering 65 feet tall, forever gazing out over the English countryside. Gormley’s work has also sparked controversy, with some critics finding his sculptures to be overly imposing or even suggestive. However, there is no denying the power of his art to evoke emotion and inspire conversation.
Gormley’s sculptures are more than just impressive feats of engineering; they are portals to the human experience. By using the human form as a universal symbol, Gormley invites viewers to confront their own vulnerabilities, strengths, and place in the world. His work is a testament to the enduring power of art to challenge us, inspire us, and help us to see ourselves anew.
Prop, 2019, 80 mm weathering steel slab. Photograph by Stephen White & Co.Divided States: Supplicate I, 2006, mild steel blocks. Photograph by Stephen White & Co.Pile I, 2017, clay. Photograph by Stephen White, London.Bearing I, 1987, lead, fibreglass, plaster and air. Berardo Collection, Lisbon, Portugal.
CEO-founder of Visualflood. A Brazilian fine art photographer, among other things, who loves visual arts, nature, science, and innovative technologies.
