Quentin Garel’s giant animal sculptures serve as a profound commentary on the practice of hunting for sport. Through his art, Garel invites viewers to reflect on the tradition of animal trophies and the human desire to dominate nature. His sculptures, often cast from bronze or carved from wood, are not just a display of artistic skill but also a critique of the pride associated with hunting achievements.
These works challenge the observer to consider the implications of viewing animals as mere objects for human consumption and entertainment. Garel’s pieces, which range from stylized skulls to life-sized figures, confront the audience with a direct gaze, prompting a moment of introspection about the relationship between humans and the animal kingdom.
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