Christopher David White’s illusionistic sculptures are a profound exploration of the intricate relationship between humans and nature. His works, often mistaken for wood due to their hyperrealistic texture and form, are actually masterfully crafted from clay. White employs the art of trompe-l’œil to challenge viewers’ perceptions, blurring the lines between the natural world and human creation.
His sculptures serve as a metaphor for the barriers humans have erected between themselves and nature, despite their inherent connection. Through his art, White invites introspection on humanity’s impact on the environment and the contradictions in our actions that both admire and exploit the natural world. His pieces are not just a visual experience but a call to acknowledge and bridge the divide we have created with nature.
Human is to nature as skin is to bark—as roots are to veins. Humanity is inextricably linked to the natural world. Our biological patterns are echoed throughout the universe, from the micro to the macro, from our DNA to the cosmos. Yet we have created barriers between ourselves and nature. We have placed ourselves into opposition with this world that sustains us. We have become outsiders to everything that makes us who we are.
Christopher David White
More info: Website, Instagram (h/t: MMM).
